>Apparently the new issue of Poets & Writers includes an article by Steve Almond in which he argues that writers should not be willing to accept the mere pleasure of publication as payment for their work–as too many of us currently do. Maryanne Stahl has launched a discussion of the topic on her blog. How do you feel about this? What can we do?
About the author
I am the author of three novels--THE LAST BIRD OF PARADISE, OLIVER'S TRAVELS, and THE SHAMAN OF TURTLE VALLEY--and three story collections--IN AN UNCHARTED COUNTRY, HOUSE OF THE ANCIENTS AND OTHER STORIES, and WHAT THE ZHANG BOYS KNOW, winner of the Library of Virginia Literary Award for Fiction. I am also the co-founder and former editor of Prime Number Magazine and the editor of the award-winning anthology series EVERYWHERE STORIES: SHORT FICTION FROM A SMALL PLANET.Related Posts
March 9, 2005
>Slow Newsreel of Man Riding Train
May 3, 2006
>Pramoedya Ananta Toer
November 24, 2008
>Secret [Literary] Santa
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>You already know how I feel about retaining my copyright. Here’s my thoughts on getting paid for my writing. Yes. In money or in cred, and here’s the breakdown. My feature-writing is for money. A magazine hires me to write a piece, they pay me. With money, and a byline, and my retaining all rights (with the exception of some work-for-hire stuff when I am on staff.) Lit mags? No, unless it’s the stipends like $50, which equals 25 words or fewer in the national market feature writing world. The reason? The lit mag stuff gets my name out there and adds to the CV, which generates paid work, so there’s a circle established.
But that’s me. I’m also a freak about contracts.