>Mistake Number 8

> Don’t Write About Wimps. I learned this one the hard way. My whole novel was about this passive guy–he even had a passive name, Peter, because he was intentionally passive–but it turned out that passive wasn’t interesting to anyone but me. He has a new name now, and he’s far less of a wimp, but whether he is active enough remains to be seen. (You’ll have to read the book.) But Bickham is absolutely right about this.

“So, in most effective fiction, accidents don’t determine the outcome. And your story people don’t sit around passively. (Now and then you’ll find a story in which what I’ve just said is disproven; but I’m talking about most successful fiction. Most readers don’t want their stories to tell them life is random. They want to hear just the opposite. They want to believe something. What they want to believe is that trying hard can pay off, and that people are in charge of their own fate.) That’s why wimps–spineless drifters who won’t or can’t rouse themselves to try–usually make terrible fiction characters.”

Clear enough, and true.

#8 Don’t Write About Wimps

About the author

I am the author of three novels--THE LAST BIRD OF PARADISE, OLIVER'S TRAVELS, and THE SHAMAN OF TURTLE VALLEY--and three story collections--IN AN UNCHARTED COUNTRY, HOUSE OF THE ANCIENTS AND OTHER STORIES, and WHAT THE ZHANG BOYS KNOW, winner of the Library of Virginia Literary Award for Fiction. I am also the co-founder and former editor of Prime Number Magazine and the editor of the award-winning anthology series EVERYWHERE STORIES: SHORT FICTION FROM A SMALL PLANET.

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