>The New Yorker: “Cell One” by Chimamanda Ngozi Adichie

>The narrator’s brother, Nnamabia, gets into petty trouble, including faking a robbery of the family home so he can pawn his mother’s jewelry. The…

>Alternate Publishing Routes

>I don’t know about you, but I learn a lot by reading Publishers’ Lunch from Publishers Marketplace. Today, for example, I learned of two…

>Simbiosis

>One of the pleasures of my recent stay in Mexico was the Bed & Breakfast where I stayed in Tepoztlan: Los Golondrinas. While its…

>The Napkin Project

>Word is spreading about Esquire Magazine’s Napkin Project in which a large number of authors were sent napkins and asked to write stories on…

>Virginia Festival of the Book

>It’s coming! This year’s Virginia Festival of the Book in Charlottesville is March 21-25 and, as usual, there’s quite a schedule. Here is a…

>Mistake Number 7

> Don’t Use Real People in Your Story. Fair enough. Real people are boring: “Good characters have to be constructed, not copied from actuality.”…

>The New Yorker: "Heirs" by Amos Oz

>Was something lost in translation? Aryeh Zelnik is relaxing on the porch of his mother’s bucolic home when Wolf Maftzir, a fast-talking lawyer, shows…

>New "Bare-breasted Mama"

>The latest installment of Gail Konop Baker’s column, Bare-breasted Mama is up at Literary Mama.

>NBCC Finalists

>The National Book Critics Circle has announced the finalists for its prestigious awards. The winners will be announced March 8. The Nona Balakian Citation…

>The New Yorker: “Demolition” by Louise Erdrich

>Although this is an engaging story, Erdrich never makes the narrator convincingly male. As the story begins, he is a teenager who becomes a…