On Stage: The Sea Voyage by Fletcher and Massigner

ascYesterday I saw a play I’ve never seen before–Fletcher and Massigner’s The Sea Voyage–as part of the American Shakespeare Center‘s Renaissance Season.

Based on The Tempest, which is also in this season’s repertoire, the play at first seems to be going in a different direction, but ultimately circles back to a Tempest-like resolution.

Albert, a French pirate, is shipwrecked with his mistress and crew on a mysterious island. They soon encounter two men whom they mistake for misshapen creatures, sort of like Caliban in Shakespeare’s version of the story. Eventually they find a colony of women who inhabit a neighboring island, also shipwrecked. Complicated romances ensue and eventually former identities are revealed and enemies reconciled.

Slapstick aside (there’s plenty of it, if you like that sort of thing), this is a very funny play, loaded with bawdy jokes and innuendo. And the performances are excellent from the entire cast. I especially enjoyed the love triangle among Chad Bradford, as Albert, Lauren Ballard, as Aminta, Albert’s mistress, and Lexie Braverman as Clarinda, the daughter of the leader of the “Amazonian” women. As always, the music provided before the show and during the interlude, was great.

The Renaissance Season is winding down, with only a few weeks left before the touring company returns to town for the Spring Season.

 

About the author

I am the author of three novels--THE LAST BIRD OF PARADISE, OLIVER'S TRAVELS, and THE SHAMAN OF TURTLE VALLEY--and three story collections--IN AN UNCHARTED COUNTRY, HOUSE OF THE ANCIENTS AND OTHER STORIES, and WHAT THE ZHANG BOYS KNOW, winner of the Library of Virginia Literary Award for Fiction. I am also the co-founder and former editor of Prime Number Magazine and the editor of the award-winning anthology series EVERYWHERE STORIES: SHORT FICTION FROM A SMALL PLANET.

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