>The New Yorker: "What We Talk About When We Talk About Anne Frank" by Nathan Englander

> December 12, 2011: “What We Talk About When We Talk About Anne Frank” by Nathan Englander I enjoyed this story more than any…

>Books for Soldiers (Press 53)

> Once again, Press 53 (publisher of my collection of linked stories, In an Uncharted Country, and my forthcoming novel in stories, What the…

>"The Face in the Window" in Valparaiso Fiction Review

> There’s a new magazine on the scene, Valparaiso Fiction Review, and the first issue includes a story of mine: The Face in the…

>New Yorker Story of the Year — Nominations are Open!

> Since I began commenting each week on the fiction in the New Yorker, at year’s end I have come up with a “Story…

>VCCA Residency–The End is Near

> I’m nearing the end of my stay at VCCA. It’s been a relatively productive period, and I have made a lot of progress…

>Tips for Writers: Dialogue Tags—Keep it Simple

> “Keep it simple,” he said. “What’s that you say?” she asked. It is tempting for some writers to load dialogue tags with too…

>Guest Blogger: How I Read a Poetry Manuscript Submission, by Tom Lombardo

> How I Read a Poetry Manuscript Submission by Tom Lombardo Poetry Series Editor Press 53 www.press53.com Slowly for the first 3 poems. At…

>The New Yorker: "The Musical Brain" by César Aira

> December 5, 2011: “The Musical Brain” by César Aira Chris Andrews, translator The story begins normally—a family is out to dinner at a…

>Interview with Kelly Kathleen Ferguson

> Kelly Kathleen Ferguson’s book, My Life as Laura, was published two months ago by Press 53. Shortly thereafter, Ferguson posted an essay on…

>VCCA: Mid-residency

> Mid-residency, already? Afraid so. I have only one more week. I can’t say that I’ve been terribly efficient, but then I’m floundering a…