2013 Reading: The Hours by Michael Cunningham

The HoursI’ve had The Hours by Michael Cunningham on my shelf for a long time—I have it in hardcover, if that’s an indication—and it was published in 1998. (My copy has a “Winner of the Pulitzer Prize” gold sticker attached.) So I should have read it before now. No excuses, other than that there are lots of other books out there that also deserve to be read.

But I pulled it out last year to move it into my TBR queue because I started working on a novel that takes place in multiple periods, decades apart. When I attended a program at last year’s Virginia Festival of the Book one of the authors mentioned that her novel (Pamela Redmond, The Possibility of You) was timed in a similar way and part of her writing preparation was to read and analyze how Cunningham had done it in The Hours. So I figured I should at least read the thing, to see if it would help.

I don’t know that it really will help me much, but I enjoyed the read anyway. Everyone has probably read the book already, but it’s set in three different periods. One features Virginia Woolf in the 1920s in the suburbs of London as she’s in the process of writing Mrs. Dalloway, and struggling with her own fragile mental health. Then there’s the thread set in New York in the late 1990s which features a woman, Clarissa (known by her dying friend, Richard, as “Mrs. Dalloway” because the character’s name was also Clarissa), who is in a committed relationship with another woman, Sally, but who in her youth was in love with Richard. And in between those stories we have Mrs. Brown’s story, set in Los Angeles in 1949, as she is facing a second pregnancy and is somewhat ambivalent about her young son, Richie (who, it turns out, is the Richard of the 1990s story). She’s contemplating suicide.

It’s fairly depressing, since we know Woolf’s fate—suicide in 1941. Mrs. Brown is thinking of suicide herself and is reading Woolf. In the 90s, Clarissa seems fine, but Richard, dying of AIDS, is in a bad way. Near the end of the book, he says: “I don’t know if I can face this. You know. The party and the ceremony, and then the hour after that, and the hour after that.” Clarissa tells him he doesn’t have to go to the party or the ceremony. And he says: “But there are still the hours, aren’t there? One and then another, and you get through that one and then, my god, there’s another. I’m so sick.”

Terrific book, whether or not it will help me write mine.

About the author

I am the author of three novels--THE LAST BIRD OF PARADISE, OLIVER'S TRAVELS, and THE SHAMAN OF TURTLE VALLEY--and three story collections--IN AN UNCHARTED COUNTRY, HOUSE OF THE ANCIENTS AND OTHER STORIES, and WHAT THE ZHANG BOYS KNOW, winner of the Library of Virginia Literary Award for Fiction. I am also the co-founder and former editor of Prime Number Magazine and the editor of the award-winning anthology series EVERYWHERE STORIES: SHORT FICTION FROM A SMALL PLANET.

Comments

  1. Such a great book! (Not too shabby movie, either). There’s a great Fresh Air interview with the author, way back when. I remember that he credits listening to Radiohead with helping him finish the novel. There’s your tip from the book, Cliff: Radiohead.

Leave a Reply

Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed.